By Stacey Abbott
Following the exceptional luck of the 1st 3 seasons of Buffy the Vampire Slayer at the WB community, writers and manufacturers Joss Whedon and David Greenwalt moved their personality Angel to his personal spin-off sequence in 1999. whereas Angel, which its namesake vampire with a soul who had turn into Buffy's tragic love curiosity, by no means fairly matched the recognition of Buffy, the spin-off was once amazing for being in particular geared toward grownup audiences and buying an intensely unswerving following. during this in-depth examine of Angel, Stacey Abbott demonstrates that manufacturers of the exhibit used the economic conference of the spin-off now not just to repeat Buffy's winning formulation yet to create a fancy televisual event with its personal distinctive id and creativity.
Through shut textual research of quite a number person episodes, this quantity makes a speciality of the sequence' precise visible type and the methods it experiments with the conventions and type of tv programming. Abbott truly situates Angel inside of traditions of the horror style on tv and in so doing addresses how the horror style has developed to fit the altering panorama of up to date tv. She additionally demanding situations the tendency to characteristic the luck of latest cult tv to a sole auteur via reading the contribution of Angel's writing workforce and addressing how modern tv is characterised through a collective creativity. ultimately, whereas there was an unlimited volume of scholarly curiosity in Angel's mother or father convey when it comes to feminist matters, this quantity positions Angel as a key textual content inside of gender and feminist stories that provides a shrewdpermanent deconstruction of latest masculinity.
In all, Abbott argues that Angel makes use of narrative, style, visible sort, and subject to create an ambiguous ethical panorama during which characters fight to barter the proper course while the results in their activities are unknown. enthusiasts of Angel and scholars and students of movie and tv experiences will get pleasure from this thought-provoking research of the series.
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Extra resources for Angel (TV Milestones Series)
Images o f the dismembered , mutilated, disintegrating body suggest that the body is invested with fears and anxieties which are actu ally felt abou t the self. . The monstrous body of horror may appear to be only flesh, bones, and sinew, but I would argue that the destruction o f the physical body is used as a metaphor to point to the possibility that the self is also tran sitional , fragile and fragmented" ( 1 9 9 5 , 1 4 3 ) . This focus on the fragility of the self becomes apparent in its application to Angel when we consider the way in which the bodies of the series' main pro tagonists are repeatedly under threat of inva sion, mutilation , and dismemberment.
Sometimes they are little subtle mom ents . Sometlmes they are not. I'll show you what I mean . " In thIS episode we see the earlier events in Angel's life in order to positIOn the contemporary events as a contm uatlOn of his path. In "Prodigal ," however, the flashbacks do not ongmate from any point of VIew but are j uxtaposed with the contem porary events to make a thematic connectlon for the audi enc e . In this cas e , Angel's ultimately destruc tive and disturb ing relationship with his father, which results in Angelus c ommitting patricide , is related to Kate's more conventional dysfunctional father-daughter issu es , ending in his death.
The subtle and rather childlike musical accompaniment to this se quence further emphasizes its chilling quality. Much like Buffy the Vampire Slayer, the episode also works along the lines of much postmodern horror as it knowingly subverts the classic conventions o f the genre that present women as victims by having each of the women save themselves . More significant, while the episode is ambiguous abo u t the nature o f Billy's effect on men-for i t is u nclear whether his touch changed the men or brought out some thing wi thin them-the implication is that it is Wesley who is victimized by Billy.